Specific characteristics of the performance of the makom

Authors

  • Shohrux Akmal o’g’li Nishonov Uzbek National Music Art Institute named after Yunus Rajabi

Keywords:

makom, ghazal, mukhammas, shashmakom, ensemble, segoh

Abstract

This article discusses the peculiarities of makom performers and their role and importance in Uzbek art.

References

Rajabiy Yu. “O’zbеk xalq musiqasi” V-tom. O’zbеkiston davlat badiy adabiyoti. –Toshkеnt: 1959 yil.

Rajabiy Yu. “Shashmaqom tarixi I-VI”.Badiiy adabiyot nashriyoti. –Toshkеnt: 1970.

Rajabiy Yu. Musiqiy mеrosimizga bir nazar. Badiiy adabiyot nashriyoti. -Toshkеnt:1978.

Rajabov I, Maqomlar masalasiga doir. Badiiy adabiyot nashriyoti. –Toshkеnt: 1963.

Rajabiy Yu., Karomatov F. Shashmaqom to’plamlari І.G’afur G’ulom nomli badiiy adabiyot nashriyoti. –Toshkеnt: 1965-1975.

Yunusov R. “Maqom asoslari”. G’afur G’ulom nomli badiiy adabiyot va san’at nashriyoti. –Toshkеnt: 1992 .

Yusupov M. Xorazm maqomlari. Adabiyot va san’at nashriyoti.Toshkеnt: 1980.

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Published

2023-03-26

How to Cite

Nishonov, S. A. o’g’li. (2023). Specific characteristics of the performance of the makom. Science and Education, 4(3), 727–730. Retrieved from https://openscience.uz/index.php/sciedu/article/view/5425

Issue

Vol. 4 No. 3 (2023): Science and Education

Section

Pedagogical Sciences

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.